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Luana 9-6 how to read a monograph

MONOGRAPH
(three to five pages, size 14 space 1)

1) Choice of a story. You can read in Portuguese, but the quotes must be in Italian. Read and underline;
2nd) Re-reading your comments and annotation of spontaneous links with other themes, etc.;
3rd) Check the phone book (summary, a kind of subtitle that the novels have BOccacccio). The book anticipates the themes and conclusions, and then takes away the tragic character and shifts the focus on the conduct;
4 °) It should also give a structure to the text (logical sequence), that divide the text into logical parts or sections (as if they had a title own);
5th) Vefificare if there are precedents (if any other texts of literature that talks about something on this theme, using images or similar concepts), which indicates an intertextual character;
6th) Check out some issues Decameron in general and their specific presence in the novel:
a) The irony, as if presented in the text (pact with the reader);
b) Comedian (after that unfortunate situation is remedied, theatrical aspect);
c) Paradox;
d) happy ending.
7th) Realism in the Decameron (which is not the only aspect, as pointed out by Erich Auerbach in his Mimesis and other essayists and critics) can be read as representing the new class of merchants;
8th) Intertextuality (among other things, 1. The Dante Canto V, 2. The strip fresco The Triumph of Death (taken from the rear in a paradoxical Pestel plague), and finally the relationship Hexameron with a text that is parodied by the Decameron) machinery narrative of modernity Decameron

selection of quotes:
- must be related to some issues we have mentioned
- must have a force of its own. Example: "the devil" (Masetto) is a very strong phrase (attributed to the nuns of the monastery of Masetto. The nuns were the devil! It is a very strong-quote> Boccaccio exposes the company (as stated Tais and Samara), but the phrase itself is a strong sentence.

- We must follow our intuition ("hear" the text), even if we do not have detailed knowledge.
- And try to find those quotes that are very interesting.

Make an outline of the monograph, before writing: finding the path forward is not an easy task and straightforward: it helps to have at least a vague idea of \u200b\u200bwhat is present in the text and identify what are the themes and concepts (or images). You should examine the text with precision at first pleggendo the text in its together, avoiding overly dwell on the details, paying particular attention to the ways in which it was played from beginning to end. Most of the quotations taken into consideration it is likely to prove useful for the preparation of the monograph, but may be useful to receive stimuli and to find an interesting idea. Once the specific subject, some items will be left out, no problem.

Citations
Title-Summary
basic theme of the novel (and erotic love / happy ending and comedy / humor and wit
Love and Death (relationship to the frame of the Decameron: The Plague) - Introduction
- Conclusion
- Bobliografia
- The text they can not

less than 4 "folders
(laudas)"
and maximum 5.





Citations

Intertextuality (the three inter-textual relations)
aspects of realism in the novel

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Daniel - 06/07/2010 Summary Decameron Decameron


The triumph of the death of Bruno Buffalmacco, around 1342. It has influenced decisively the focus on death, the body and certainly the stesurea the Decameron. Buffalmacco character is of two stories of the Decameron

A fresco (probably in Pompeii) shows that depicted the God Priapus (fallico!). The Satiricon attributed to the writer Petronius Orman, text can be considered a precursor of the Decameron

called The Decameron by Giovanni Boccaccio Prince Jailbird written after 1349 (one year after the great black plague). It is an ancient Greek word: deca "ten" and Cameron "days"). It is a collection of one hundred short stories written by Giovanni Boccaccio. The work is considered a milestone in the literary transition between the medieval morality, which emphasized the spiritual love, and the beginning of realism, which starts the recording of land values \u200b\u200bwhich are included in humanism. The divine nature leaves the stage and begins to affect man. It has been written in Tuscan (liungua in Tuscany or Tuscan dialect) with the subtitle "Prince Jailbird." The mark of the Decameron, is certainly (or seemingly) 's experience in Europe and the advent of the Black Death in this period of terror that the story unfolds. The Decameron
opens like a text that is very ironic. There is a precedent with respect to the Decameron, and is the "Satiricon" Petrone
[The book recounts the vicissitudes of Encolpius, the young protagonist, Gitone, his adolescent love, and friend-enemy dell'infido Ascyltus. The background, only deductible, tells of an outrage committed by Encolpius against the phallic god Priapus, who then on to the protagonist pursues him causing a series of erotic failures. Not the Decameron
inventing the erotic, but you could say he invented the metaphor of 'eroticism, that is an eroticism to the power, transmitted by reading and literature. The Decameron begins the realism in the European tradition. So the novels that are the basis of modern literature refer to the structure of the Decameron, which shows a large formal structure. Why consider the Decameron realistic? Prince Jailbird is a quote from Canto V of Dante's Inferno (metaliterature or intertextual quotation). Presents love in Dante, but a love of Paolo and Francesca amantiu two who love each other because read a book about the love of Lancelot and Guinevere. The two lovers are killed by the cuckolded husband (Gianciotto) and are (by Dante!) Condemned to hell. Throw the blame on the book they read. This introduces the character in Boccaccio's Decameron in the book. In the Decameron, there is a realistic vision, but there is also the opposite: the literary construction of the machine.
There is a large fresco (24 meters), The Triumph of Death, by Bruno Buffalmacco those who see death, who fight against death, that are scared to death and so on.

The Decameron, although it does represent the reality (as he wants and says Erich Auerbach in his Mimesis magnificent text, realism in the Western tradition) in fact, for three reasons intertextually is linked to the literary tradition: The name
Decameron by Hexameron (a religious text on the creation of the world in six days), so a grandoe parody. Prince Jailbird, which ties him to Dante, but it is ironic reversal. And finally, the link with the triumph of death ...

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intertextual and tradition, information from the site Italic

Decameron,
information from the site Italic
http://letteraturaitalianaiufrj2010.blogspot.com/

Composed between 1349 and 1351, the measure is more complete and mature boccacciana of narrative technique, which is in novel form of an effective method of expression ductile enough to be inserted in the closed structure, characteristic of medieval systematic spirit. At the opening of Boccaccio puts a caption that explains the title: "Start the book called Decameron, surnamed prince Jailbird, which is contained in ten of one hundred stories told by seven women and three young men." The name derives from the greek deka Decameron (= ten) Cameron (= days, gen.plur.) And perhaps traced from the titles of works of the Fathers of the Church, based on the six days of creation (for example the famous Hexaemeron). The "name" Jailbird is a clear literary reference to the direction of Dante's "galley slave was he who wrote the book" (Inferno V, 137) in which the French novel Lancelot bring about love between Paul and Francesca as well as the rider Galehaut acts as an intermediary in the love between Lancelot and Guinevere. Boccaccio also wants to be as mediator against women, telling stories that are of comfort to their heartbreak. The book is a collection of one hundred short stories, told by ten young men, seven girls and three boys, within ten days. The stories, in fact, are exposed by Boccaccio in a closed structure, the frame (narrated by the author himself), that ordering and structuring the narrative material, which itself consists of a wide variety of tones and a field very heterogeneous. The narrative frame-

: We

in 1348, in Florence raging fever (which Boccaccio gives a vivid description): a spring morning, seven girls and three men find themselves in the church of Santa Maria Novella, and together they decide to move away from the atmosphere insane and deadly the city to find refuge and escape in the countryside of Fiesole, where he will lead a short period of time devoted to refined and aristocratic entertainments such as singing, dancing, conversations and story telling. Will be chosen for each day a king or a queen, who will have the task of choosing the topic of the novels (only Dioneo will have the privilege of talking about a free theme). Although the time spent outside Florence lasts for two weeks, the days are ten of the narrative, as the Friday and Saturday will be devoted to religious practices. Each day ends with a ballad, sung from time to time by a different character. The idea of \u200b\u200bcollecting the material within a frame narrative is taken up by Indian and Arabic short stories (think of the Thousand and One Nights), but also from the medieval Latin literature and romance. The use of the frame, however, also reflects the trend typical medieval setting out and classification of knowledge into a solid structure and symmetrical architecture, rich in symbolism, despite the variety of matter.

The scheme of the arguments: The day

: Pampinea Regiment, which leaves everyone free "of such matters which most will be able to"

day II: Filomena "who infested by different things, and besides his failed hope a happy end."

III: Neifile: "no house lot from him who desired to buy the industry lost hospitalized.

IV: Philostratus, "those whose loves had a disastrous end."

V: Fiammetta, "what with a lover, after some unfortunate accidents or proud, happy happening."

VI: Elissa: "who with some lovely motto, tried, shook itself, or by some ready retort or device have fled danger or loss or shame. "

VII: Dioneo" jokes, which, or to love or to save them, women have made to 'their husbands, without essersene wise or not. "

VIII: Lauretta:" those tricks that all day man or woman to woman or man to man one or the other will do. "

IX: Emilia:" we reason that they like each second and what he likes best. "

X : Panfilo Who liberally or anything magnificently operates around 'the facts of love or of another thing. "

the provision of the topics and themes have been read many meanings as they have in a system in perfect symmetry and parallels. Branca, for example, you read a sort of ideal itinerary, outlining a progression from vice to virtue, from evil to good, in analogy to Dante's Divine Comedy. It has been at the acento then on the contrast between the character of Sir Ciappelletto, a statement of extreme ugliness and lies, and that of Griselda, an image of purity and sincerity. The main themes are Love, Ingenuity, Nature and Fortune (the latter are an obstacle to the events of the characters, which, according to their intelligence and their moral virtues, they can, each in its own way to overcome adversity).